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Author Topic: Neil Strauss & Tyler Durden: Pebbles and Attraction  (Read 919 times)
goolio
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« on: March 26, 2006, 12:34:03 PM »

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I've been slacking lately in PU, I'll admit. Getting
comfortable with the girls I have, and not going out
enough. So I recently just like cut loose half a dozen FBs,
and am starting to reorganize my PU routine, get out more,
catch up to where I was, and work on the SPs that I never
got to.

Anyway, since TD has been the dominant one coming up with
new stuff, I've been looking over his stuff. And when it
came time to put it in my routine, I noticed there was no
category for it.

TD and Papa sometimes call them mini-cold reads, but
they're NOT cold reads (which are intuitive truisms about
someone).

They're not really negs, they're not really cocky/funny,
and they're not completely c/f role-playing.

So I made a new section in my categorized PU ROUTINE list:
PEBBLES AND QUICK HOOKS. These are things you use early in
a set (often in the middle of a routine or opener) to hook
their interest and play with their emotions: the little
sisters thing, the PVC devil thing, the Powerfuff line
(which TD has been often made fun of but which isn't even
his as far as I know), the shopping line, and all of that.

As he would say, they're to get quick buying temp spikes.
You're just throwing shit at them, like a kid in high
school throwing a snowball at a girl to get her attention.

So, anyway, in addition to my routine of openers, DHVs,
negs, and *closes, I now have PEBBLES to throw in to keep
her attention, interest, and positive state.

Moving on, also in reading TD's post, here are some awesome
BIG PICTURE ideas that he wrote about. I clipped these out
and printed them out, because they're a GREAT summary of
the game and principles that should be internalized to look
like a natural:

TD Writes:

Game is really a combination of:
-controlling the frame

-being funny and raising emotions

-being someone they seek validation from

-being someone they think they could gain social status
from being with

-adding energy to the interaction so that the chemistry
takes off

-engaging the girls with almost a hyper focus, so that
the interaction is fully charged (this naturally leads to
phase shifting and sexuality -> think of your last AFC
girlfriend, and how whenever you'd first talk it would
have this sort of hyper focused *energy* where you
were both just totally aware of eachother and your
synpses were firing on all cylinders)

-having the manneurisms, bodylanguage, and vocal
tonality of someone who is desired by women

-connecting at some point

-not triggering ASD by not saying anything stupid about
what is going on


Focus on learning to hold sets without a high energy level.
Smoothen out the delivery, and tonality. Subcommunicate
higher value with the most precise, fucking smooth delivery
possible.

It's good to be more INTERESTING than entertaining.
Learn to be flirty and sexual, and then to pull back and
get them qualifying themselves to you. Learn to be both
congruently indifferent, and yet be able to shift to being
forward at the same time.

Learn to master vocal projection and how it corresponds to
social status. Learn to talk in a way that
commands attention instantly.

Always be able to convey higher social status by strength
of frame. When you talk, know that everyone will stop to
listen to you.

Learn to be as alpha and commanding in set as possible.
There is NO WAY a set cannot open. All sets will open, and
almost all sets will venue change with you. They have no
choice, because your frame is just stronger. Tolerate no
bullshit in set, tell them exactly what to do.

Learn to phase shift at the snap of a finger. Learn a phase
shift so strong that girls will be sucked into it, because
your frame is stronger and if you slow down and smoothen
out, they will have to also because that's just the way it
is. Learn to excute it at the right time and when its most
effective.

And in terms of social intelligence, learn to recognize who
is controlling the frame of the conversation, and to be the
one controlling it at all times.
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